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酱园弄·悬案
2024 0.0分 剧情片
影片根据民国四大奇案之一改编:女子因杀夫碎尸被捕,究竟是她一人所为,还是有人相助?铁证如山如何翻案?真凶是否另有其人?   1945年,上海酱园弄惊现骇人血案,瘦弱女子詹周氏(章子怡 饰)手刃亲夫“大块头”,碎尸16块!一时间人心激荡、众说纷纭,旧时代的车轮徐徐碾过,案件真相层层待揭,众人的命运将被这桩悬案改写,而詹周氏的命运,也会迎来意想不到的变化……
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阿郎的故事国语
1989 0.0分 剧情片
阿郎(周润发 饰)年轻时作为出色的赛车手很是放荡不羁,却不妨碍富家女波波(张艾嘉 饰)对其一往情深。波波不顾家人反对,同他结婚并怀下身孕后,发现阿郎背着她还有其它女人,于是愤然离去。波波临盆之际,阿郎参加非法赛车撞死警察入狱。波波被母亲和医生欺骗婴儿夭折,后去了美国生活。出狱后,阿郎为以前行为愧疚,从孤儿院找回儿子取名“波仔”(黄坤玄 饰)。父子二人开始相依为命过日子。   十年后,已有未婚夫的..
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等候董建华发落国语
2001 0.0分 剧情片
故事发生在一九八五年的香港,张有铭(李尚文 饰)是正值叛逆时期不知天高地厚的莽撞少年,某日,他跟随一群小混混劫持并且杀害了一对情侣,之后众人遭到警方的逮捕。张有铭因为尚未成年,因此并未得到判刑,而是被关进了监狱,“等候英女皇发落”。   没想到,这一等就是十年,时间就这样悄无声息的来到了一九九七年,香港回归在即,一位名叫誉玲(艾敬 饰)的女子注意到了张有铭的存在。一来二去之间,两人竟然产生了信赖..
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第一茧国语
1989 0.0分 剧情片
少女马玉凤(马斯晨 饰)因藏毒罪名被判入狱半年,男友罗伯特指使她在狱中寻找杀死他大哥的女子Winnie,以便为其大哥报仇。第一次入狱的玉凤开始了被称为“第一茧”的狱中生活,同监室的女犯人“男人婆”性格跋扈欺凌新人,玉凤在遭男人婆殴打时幸被狱中著名的“疯大姐”(吴家丽 饰)救下,自此玉凤和疯大姐以及多话乐观的大肚婆(林建明 饰)结为好友。原来疯大姐即是Winnie,Winnie受吸毒的父亲拖累,不..
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低一点的天空国语
2003 0.0分 剧情片
肥猫(郑则士饰)虽然因为后天患病而中度弱智,可是他对生命充满了希望。细路祥(黎耀祥饰)是一个身患痉挛的年轻人,因为从小便常被取笑嘲弄,所以性格十分孤僻暴躁。白雪仙(钟欣桐饰)因为一次眼疾导致双目失明。三人机缘际遇下相识了,可能是因为有同样的遭遇,互相关心的三人很快便成为了好友,各自说着自己的理想,细路祥跟白雪仙对自己缺乏信心,对实现自己的理想没有太大的企盼,但纯真的肥猫去时常鼓励大家一定要相信未..
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下一站…天后国语
2003 0.0分 剧情片
家中以卖鱼为生的金大喜(蔡卓妍饰),热爱唱歌的她从小便发明星梦。一个机会让她进入了Harry(陈小春饰)的唱片公司担任歌手Shadow的助手。加入了他们之后才发现,Harry与弟弟阿荣(余文乐饰)不和,Shadow的兴趣更不是在唱歌方面。金大喜极力为他们解围,令原本冷冷清清的一家人多了许多温暖。本来就互有好感的阿荣跟Shadow的撮合下成为恋人。   Shadow被唱片公司任命灌录唱片,使五音不..
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《芳心封鎖》剧情介绍

神马影院 - 免费完整版在线播放电影电视剧提供影视作品芳心封鎖高清全集在线观看的影视全集网,剧情片《芳心封鎖》全集作品的导演是Gilberto  Tofano   ,由Gila  Almagor  主演,芳心封鎖在豆瓣的评分为0.0,本片由小编于2025-06-11 03:26更新,希望大家喜欢,可以把《芳心封鎖》推荐给你朋友,本作品的地址为 http://www.yljspxxy.com/haokan/index41462.html

《芳心封鎖》简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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