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法网情丝粤语
1966 0.0分 剧情片
李炳離奇墮樓死亡, 警探何幹對炳昔日行劫夥伴杜子駒成見甚深, 認定是駒所為. 幹訪駒, 令駒妻燕卿忐忑不安. 駒誓言已洗心革臉, 不忿遭幹查問 ; 終因他的調查, 被任職的紗廠辭退. 駒兄子龍與以林維紀為首的匪幫為伍, 紀設局引駒墮入圈套, 又與龍力勸駒重出江湖, 駒斷然拒絕. 生活拮据, 卿瞞著駒到舞廳伴舞, 龍見到後告知駒, 駒盛怒之下, 把心一橫, 答允加入匪幫盜取紗廠巨款. 豈料事後, ..
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黑猫II:刺杀叶利钦粤语
1992 0.0分 剧情片
Erica(梁琤 饰)因为天生条件的天独厚,因此被中央情报局选中。Erica接受的并非一般训练,而是进行身体彻底改造,成为半人半机械的冷酷无情的超级杀手,代号“黑猫”。CIA获悉国际恐怖组织派出杀手“铁人”刺 杀叶利钦,于是派出“黑猫”及华裔情报员罗彬(仇云波 饰)共同前往追捕“铁人”。不料两人却误中陷阱,“黑猫”的机能甚至遭到严重破坏。当局只能一方面抢修“黑猫”,另一方面则布下天罗地网,希望“..
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天与地粤语
1994 0.0分 剧情片
得一笔奖学金资助,张一鹏(刘德华)获得去法国留学深造的机会,学成归国后,他被任命为上海市禁烟(鸦片)行动的第一专员。张在法经西方文化与价值观熏陶,十分书生意气,刚携妻子(陈少霞)来到上海,便展开一系列动作,不知中国与西方国家国情有别,难有健全的法律体系及社会秩序:警察署长倪坤(顾宝明)和大毒枭戴济民(刘松仁)是拜把兄弟,两人一起控制着包括贩卖鸦片在内的上海所有的非法交易,见数次向张行贿无果,他们..
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蓉姐粤语
1989 0.0分 剧情片
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忌廉沟鲜奶粤语
1981 0.0分 剧情片
小玲(李燕燕 饰)自小父母离异,母亲希望深造,因此带着她移民,落魄的父亲则带着弟弟留在香港,姐弟两个哭着分开,一别多年。长大后回到香港的小玲始终牵挂弟弟和父亲,却打听不到两个人任何讯息。恰好小玲男友杨光(艾迪 饰)在做社工,最近帮助一个名叫丁天生(严秋华 饰)的跛脚少年,在少年家里发现小玲一家四口的照片。认准天生是小玲失散的弟弟丁当,杨光想促使姐弟重逢,并且帮助丁天生重新接受教育,脱离颠簸流离的..
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第十九层空间粤语
2007 0.0分 剧情片
大学四年级女生春雨(钟欣桐)的好友清幽某日收到神秘短信后,将春雨带去一栋被废弃的教学楼,并请春雨帮她拍下照片,在计算机里看拍的照片时,春雨只感受到恐惧,产生不祥的预感,不久,清幽离奇死亡,春雨在其手机里看到“GAME OVER”的短信。   其后,秋雨收到已死去的清幽发来的短信“你知道地狱的第十九层是什么吗?”,再度毛骨悚然,却也按捺不住好奇要查出清幽死亡的真相,便按手机短信的提示进入游戏里的地..
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《拉莉萨》剧情介绍

神马影院 - 免费完整版在线播放电影电视剧提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin  Rasputin  Stefaniya  Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-06-11 03:44更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 http://www.yljspxxy.com/haokan/index47032.html

《拉莉萨》简介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

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